Wednesday, November 30, 2011

Final: Information Design

Members:

Holley Aaron
Bailey Webb
Haley Hagle
Sarah Erdwins




For our topic we chose the Underground Comix movement. Our posters include: Robert Crumb's timeline of comix, the Underground Comix in the United States, and the levels of explicit content in the Underground Comix. Robert Crumb was instrumental in the development of Underground Comix, so covering his works over the height of the movement seemed crucial to the informational map. The underground comix movement mainly occured in the United States, so the poster only covers the major areas where the comics were popular. The explicit content poster discusses the levels of raunchiness found in the various comics. To unify the group project we kept the same color palette and comic book fonts.



Works Cited

Ahrens, Lois, et al. The Real Cost of Prisons Comix. Oakland, CA: PM Press, 2008. Print.
Carlin, John. "The Real Comic Book Heroes." Tate Etc. Spring 2007: 60-9. Art Full Text. Web. 28 Nov. 2011.
Carlsson, Chris, et al. “The Rise and Fall of the Underground Comix Movement in San Francisco and Beyound.” Ten Years That Shook the City: San Francisco 1968-1978. Ed. Jay Kinney. San Francisco, CA: City Lights Books, 2011. 272-275. Print.
Estren, Mark J. A History of Underground Comics. Berkeley, CA: Ronin Pub., 1993. Print.
Hatfield, Charles. Alternative Comics: an Emerging Literature. Jackson, MS: University of Mississippi, 2006. Print.
Heller, Steven. "Here at Zap Comix." Print (New York, N.Y.) 54.3 (2000): 100-5. Art Full Text. Web. 28 Nov. 2011.
Lopes, Paul. Demanding Respect: the Evolution of the American Comic Book. Philadelphia Pa: Temple Univ., 2009. Print.
McCleary, John Bassett. Hippipe Dictionary. A Cultural Encyclopedia of the 1960s and 1970s.Berkeley, California: Ten Speed Press. 2004. Print.
RosenKranz, Patrick. Revel Visions, The Underground Comix Revolution 1963 – 1975. Seattle: Fantagraphics Books. 2002. Print.
Sorensen, Lita. Bryan Talbot. New York, NY: The Rosen Publishing Group, 2008. Print.
Wiater, Stanley and Stephen R. Bissette. Comic Book Rebels. Conversations with the Creators of the New Comics. New York: Donald I. Fine, INC. 1993. Print.
Wood, Alexander. "Early Family Life." R. Crumb's Biography. Web. 28 Nov 2011.

Monday, November 28, 2011

Crumb Timeline Final

Heller, Steven. "Here at Zap Comix." Print (New York, N.Y.) 54.3 (2000): 100-5. Art Full Text. Web. 28 Nov. 2011.
Carlin, John. "The Real Comic Book Heroes." Tate Etc. Spring 2007: 60-9. Art Full Text. Web. 28 Nov. 2011.
Wood, Alexander. "Early Family Life." R. Crumb's Biography. Web. 28 Nov 2011. 

Thursday, November 24, 2011

Final Blog Post: movements by image

Arts & Crafts
Josef Hoffmann, Werkbund, 1914
http://www.edition20.com/en/products/Kunstschau-Werkbund-by-WOKA-by-Josef-Hoffmann

William Morris, wallpaper featuring acanthus leaves, 1875
http://www.britannica.com/bps/media-view/94652/1/0/0


Koloman Moser, Venus in the Grotto, 1915
http://www.wooop.com/poster-canvasartprint/b/paintings-koloman-moser/artwork/4406.html


Art Nouveau


Jules Cheret, L’Hippodrome 4 clowns, 1882
Leonetto CappielloLivorno stagione balneare, 1901
William Bradley, Christmas Poster, 1985


Sachplakat

Lucien Bernhard, Osram Lightbulbs, 1920




Julius Klinger, Hermanns & Froitzheim, 1910



 Hans Rudi Erdt, Kauft Scherl Bucher1915-16




Art Deco


Monsavon Soap by Jean Carlu


A.M. Cassandre, Pivolo Aperitif




Jean Carlu, Give 'em Both Barrels, 1941

De Stijl
Theo van Doesburg, Girl with Buttercups, 1914
Gerrit Rietveld, Red and blue arm chair 1918


Theo van Doesburg,Counter composition VI, 1925



Constructivism
Beat the Whites with the Red Wedge, El Lissitzky, 1919

Dobrolet poster, Alexander Redchenko, 1923

Watches, Alexander Rodchenko, 1923


Bauhaus
Laszlo Moholy-Nagy, Bauhaus Balconies, 1926

Laszlo Moholy-Nagy, Composition X VIII, 1924

Lot Nr. 214, Fritz Schleifer, 1923


International Style
General Dynamics, Erik Nitsche, 1959

Josef Müller-Brockmann, Auto Club of Switzerland Poster, 1955

History of Physics, Erik Nitsche, 1963


Psychedelic Poster Art


Moby Grape, The Sparrow, Charlatans, Alton Kelley, 1966-67

The Wildflower, Victor Moscoso, 1967

Jefferson Airplane, Grateful Dead, Wes Wilson, 1966


Postmodernism
Dylan, Milton Glaser, 1966

Mahalia Jackson, Milton Glaser, 1967

Orbit bar wrapper, Tibor Kalman, 1999

Gig Poster


Band of Horses Concert Poster, Guy Burwell, 2008

Blitzen Trapper, Hero Design Studio and Boutique 2009

Grizzly Bear, Hero Design Studio and Boutique 2009

Monday, November 14, 2011

The Eames' influence on information design

The Eames' work focused heavily on informing an audience in a visually applicable way. The timeline about Robert Crumb's stylistic portfolio presents the facts in a cartoon fashion. Styling the timeline to reflect the underground comic format was a design that informs the viewer the purpose and the topic of the poster. Our underground comics ratings scale is simliar to the powers of 10 video as the layers of comics are divided based upon ground levels. All designers should present information in a manner relative to the topic of material being portrayed. 

Monday, November 7, 2011